Pots in the Garden: Designing, Planting & Placing Containers in the Landscape… Part One: An Introduction to Color!

May 29th, 2012 § 7

Weathered to Sweet Perfection: The Red-Orange Hue of an Old Terra Cotta Urn Complements a Carpet of Springtime Blues (Muscari armeniacum in foreground and Phlox divaricata in background)

Late spring is the time of year when I begin planting and placing pots in the garden. Over the years, I’ve amassed quite a collection of urns, vessels, second-hand terra cotta pots and various other containers. I find that even before they are filled with colorful annuals and exotic tropical plants, their shapes, hues and textures add a touch of beauty to the landscape. In my career as a garden designer  —using my own landscape as a design lab— I’ve created a wide variety of seasonal containers for my clients. And every year, right around Memorial Day, I head out to the garden center with an open mind, looking to try something new…

Colorful, Dramatic Pots Add a Welcoming Touch to My Studio Entry and Stone Terrace (Stonework by Vermont Artist Dan Snow, See Below for Complete Listing of Container Plants)

Earlier this month, I presented a seminar on container gardening,”Pots in the Garden: Designing, Planting and Placing Containers in the Landscape” sponsored by Walker Farm. Creating beautiful, annual garden displays with potted plants need not be difficult, time consuming or expensive. However, understanding the basic principles of design —as well as how to properly plant pots and follow-up with care and maintenance— is key to success with container gardening at any level. Balance and proportion, form and mass, texture and color, and line and repetition are some of the more important elements to consider whether designing a single pot, or large group of containers.

The Gardener’s Color Wheel

There are many decisions to make when designing a container garden, but color is always right at the top of my list. Color, like music, evokes feelings and sets mood. When designing a garden of any kind, I think about how the space will be used and what sort of feeling I want to create. If you are unfamiliar with how to work with color, the gardener’s color wheel (pictured above) can be a useful guide. When choosing a color scheme for a container garden, I keep in mind not only the foliage and flowers, but also the color of the pots, the surrounding space and nearby objects. Look carefully at walls, floors, arbors, shrubs, trees and furniture. Keep those hues in mind when designing containers for your outdoor rooms.

Monochromatic and Analogous Color Relationships Need Not be Boring. In Fact, By Working with a Limited Palette, a Gardener can Emphasize Other Design Elements; Such as Texture, Form, Mass and Placement. Here, a Mass Planting of Orange-Hook Sedge (Ucinia egmontiana) in Oxblood-Colored Pots, Creates a Soothing Screen in Bold Color. Notice How the Orange-Red Colors Bring Out the Rusty Undertones of the Steel Deck. Bold Harmony.

When I want to set a calm and relaxing mood, I usually opt for a monochromatic color scheme; using a single color on the wheel, playing with only a few, subtle variations of tone. Notice how each color on the wheel is shaded, working toward the center? A pot with foliage and flowers in only one color can be quite beautiful. To keep such an arrangement interesting, I would play with the other elements —like form and texture— to create a dynamic design. Analogous color relationships —side by side colors on the wheel above— such as green and blue or violet and red, are also quite soothing in combination, but offer a bit more design drama…

A Broken, Turqoise-Blue Vase adds a Bit of Drama to this Calm Arrangement. Quiet Harmony.

Things really start to get interesting in the garden when complementary colors are played off one another in a design. Opposites on the wheel, complementary colors tend to bring out the best in each other when placed close together. The more intense the hue —or strength of saturation— the more dramatic the result. For example, I like to play gold against violet. Purple, plum, maroon and lavender all look richer when they are placed near mustard, gold, honey and wheat. To bring out the beauty of violet hued foliage and flowers, I choose pots with mustard-colored glazing or add plants with golden foliage to my container design. Complementary color schemes tend to be bold and attention grabbing; use them to draw attention to an area or create a an energetic mood…

The Golden-Chartreuse of Lysmachia nummularia (Golden Moneywort) Enriches the Angelonia (A. angustifolia ‘Angelface Blue’) in this Arrangement, and Enhances the Purple-Hues of Nearby Stobilanthes dyerianus (Persian Shield) and Verbena (Glandularia canadensis ‘Homestead Purple’)

Simple, Mustard-Glazed Pots Work to Bring Out the Beauty of Lavender Colored Asters in This Cascading Group

Polychromatic relationships —or mixtures of many colors— create something of a pinwheel-effect. These arrangements tend to be very bold. When I want to really jazz up a space, I will reach for the most dramatic relationships on the color wheel and spin them into a frenzy. Think outrageous succulent arrangements, tropical plants with fabulous flowers and candy colored containers. Fun!

Blue-Hued Mexian Rose, (Echeveria ‘Pearl’) Plays off the Orange-Red Pot and a Trio of Silver and Gold-Tinted Foliage. Also Pictured Here: Variegated Elephant Bush (Portulacaria afra variegata) and Kalanchoe ‘Pumila’ 

Read More about Creating Beautiful, Bold Succulent Container Gardens by Clicking Here

Colorful pots can accent outdoor tables and dress up stairs, change with the seasons or to suit special occasions. Container gardens offer great opportunities to experiment with design, and yet they require minimal investment in terms of time and money. Don’t like a particular arrangement? Remove a plant or two and try something fresh! Little garden design experience? Begin with a few, inexpensive annuals and a simple pot. Fill your container with soil, keep the plants in their original pots, and try various arrangements before planting. Have a great, colorful container? Try enhancing the hue with annuals in an analogous or complementary color. As you grow more confident, reach across the color wheel for more unusual combinations and visually stunning results.

Bright Orange Flowers Against Green Foliage are Mother Nature’s Finest Example of the Power Complementary Color Relationships. Here, My Mustard-Glazed Pot Provides an Analogous Backdrop to this Simple but Bold Display. Calibrachoa ‘Callie Orange’ Tops the Terrace Dining Table in Late May

For more inspiration, design ideas, maintenance tips and planting ideas check out some of these great, container gardening books…

Container Gardening A Great Guide Book with Useful Information & Beautiful Photos from the Editors of Fine Gardening

Pots in the Garden Beautiful & Inspired Design Ideas from Ray Rogers (Timber Press Publishing)

Photographs and Text ⓒ Michaela Medina/The Gardener’s Eden. All photographs, articles and content on this site, (with noted exceptions), are the original, copyrighted property of The Gardener’s Eden and may not be reposted, reproduced or used in any way without prior written consent. Contact information is in the left side bar. Thank you!

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Gathering Beauty Before the Storm …

August 27th, 2011 § 2

Riding the Storm Out: Fragile Pots & Plants Gathered Safely Inside {plants, clockwise from bottom left: Verbena canadensis with Stobilanthes dyerianus (Persian Shield), Asclepias curassavica ‘Silky Red’ (Butterfly Weed), Angelonia angustifolia ‘Angelface Blue’ with Lysmachia nummularia (Creeping Jenny) and repeat}

Sunlight & Calm Before the Storm {Asclepias curassavica ‘Silky Red’ and Verbena canadensis. Campo de’Fiori pots available at Verde Garden & Home and Walker Farm in VT and online at Terrain.}

Lovely Lavender Haze: Verbena speciosa ‘Sterling Star’ Beside the Door

With voluptuous hydrangea blossoms gathered by the armful, and fragile pots all collected safely inside, there’s little left to do but wait out the storm. It feels a bit eerie, looking out at the summertime terrace –dining table and chairs folded neatly away–  the empty expanse of grey stone, naked without its bright riot of floral color. But here inside –nestled in every nook and cranny– potted plants and freshly cut blossoms fill the house with beauty and fragrance. At the moment, I feel like a guest in an extravagant hotel conservatory, which gives me all sorts of delightfully outrageous ideas…

Freshly Cut Hydrangea from the Garden (H. paniculata ‘Limelight’)

Photographs and Text ⓒ Michaela Medina/The Gardener’s Eden. All photographs, articles and content on this site, (with noted exceptions), are the original, copyrighted property of The Gardener’s Eden and may not be reposted, reproduced or used in any way without prior written consent. Contact information is in the left side bar. Thank you!

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Dramatic Darmera Peltata: A Native Beauty for Bog Gardens & Damp Shade…

May 26th, 2011 Comments Off

Darmera peltata’s pretty, pink spray of airy inflorescence

Darmera peltata… What a lovely, musical name. Often the botanical labels for plants pale by comparison to their intriguing and creative folk monikers. But in this case, I think the name Darmera peltata is far superior to the common alternatives (Indian rhubarb and umbrella plant). Just look at this elegant beauty’s richly textured leaves! And the pink spray of blossoms on tall, elegant stems? Isn’t she gorgeous? The name Darmera is perfectly exotic sounding, even if she is an American girl.

Native to woodland streams and swampy wilderness areas in the western half of North America (Hardy in USDA zones 5-7) Darmera peltata prefers moist conditions, rich soil and filtered light. If she were to choose a home, she’d settle herself in dappled sunlight beside a pond, brook or bog at forest’s edge. However, this lovely, low-maintenance perennial will tolerate drier conditions —actually, she suffered mightily in my garden last summer during the drought— if she is placed in a cool, semi-shaded location. The more moisture she receives, the larger and more lush she will grow (3-6′ high is typical, with a similar spread).

I grow Darmera peltata (commonly known as Umbrella Plant or Indian Rhubarb) for her magnificent, textured-emerald leaves

I grow Darmera peltata for her large, dramatic leaves —lovely in combination with forest grasses and colorful Japanese painted ferns— which are stunning from spring through fall, when they turn a rich, bronzy color. But in a rainy year like this one, Darmera produces and abundance of delicate, pink flowers held high above the foliage on strong, narrow stems. I may be imagining things, but I suspect she wants to cheer this gardener up in gloomy weather with her pretty ensemble. And you know what? It’s definitely working…

Darmera peltata blooming at the foot of the Walled Garden with Moonlight hydrangea vine (Schizophragma hydrangeoides ‘Moonlight’) and a self-sown Lady’s Mantle (Alchemilla mollis)

Darmera peltata offers a lovely contrast to smooth textured, contrasting foliage or —as shown here— the surface of a smooth terra cotta vessel

Article and photographs are copyright Michaela Medina at The Gardener’s Eden, all rights reserved. All content on this site (with noted exceptions) is the property of The Gardener’s Eden and may not be used, reproduced or reposted elsewhere without written consent.

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Behold the Brilliant, Jewel-Like Treasures! How Will I Contain Myself? Playing with Pots: An Annual Obsession

May 4th, 2011 Comments Off

Echeveria ‘The Pearl’, Kalanchoe pumila and Portulacaria afra variegata – An indoor garden pot, slowly acclimates to the great outdoors on my steel balcony

It’s an annual question. How will I contain myself? Although the vast majority of my gardening takes place in the ledgy pockets of soil here on my land, every year I create seasonal, potted displays and vignettes to punctuate the landscape. I started moving my vessels, urns and bowls outdoors a couple of weeks ago… And oh, there are so many pots to fill! In addition to the container designs I will create for my clients, I have many garden rooms of my own to accent. There’s a steel balcony to drape, several stone terraces, walls, walks and stairways to soften, shady niches to illuminate, decorative chairs to adorn and dining tables to fill with color.

Ever on the lookout for fresh inspiration, this weekend I will be attending a seminar, “Succulent Container Gardening & Hanging Basket Design and Care”, at Walker Farm in Dummerston, Vermont. The talk is being presented by long-time friends and colleagues, Daisy Unsicker (head propagator) and Karen Manix (owner) of Walker Farm. For nearly a decade, I worked maintaining the mixed borders of trees, shrubs and perennials at Walker Farm. And for years, I have been admiring —and enthusiastically collecting— their gorgeous, nursery-proagated plants. This historic farm has long been a favorite horticultural resource for connoisseurs of unusual annuals, perennials, trees and shrubs. But this season, I have to say, Walker Farm has really taken its always-spectacular greenhouse to a whole new level with an amazing display of succulents, tropicals and unusual foliage plants…

Mixed Succulent Container Garden (Starring Aeonium ‘Kiwi’) – Designed by Daisy Unsicker for Walker Farm

Beautiful Succulent Bowl (Staring various colorful players; including Aeonium ‘Kiwi’, Cryptanthus acaulis, Senecio rowleyanus and Echeveria) Designed by Karen Manix for Walker Farm

Another Gorgeous Succulent Bowl (Starring several divas and supporting acts; including Sedum and Aeonium)  Designed by Daisy Unsicker for Walker Farm

In an earlier post, I mentioned Walker Farm’s talented, long-time head propagator, Daisy Unsicker. When it comes to raising young plants, Daisy really has a special touch, and succulents are clearly her passion. If a gardener truly loves plants, and dotes on them with tender-loving-care, they tend to show their appreciation in the most beautiful ways. I can’t wait to hear Daisy’s design tricks and maintenance tips for succulent-pots, and to see what she and Walker Farm owner Karen Manix have cooked up for this Saturday’s container gardening seminar. Walker Farm isn’t able to ship plants, but if you are gardening in the area, I hope you will check out their beautiful garden center and greenhouses, and join them for their fabulous —and free— garden seminars (click here for details).

Two weeks ago, I had the opportunity to preview some of the gorgeous plants now filling the lovely glass greenhouses at Walker Farm. In addition to the extraordinary selection of exotic plants in nursery containers (see some unusual examples below), Daisy, Karen an the staff at Walker Farm have designed and pre-planted some gorgeous, ready-to-go succulent bowls and other to-die-for container gardens. With colors bright as gem stones and exquisite, jewel-like forms, these plant-filled pots are like living treasure chests. From hanging baskets dripping with ‘Strings of Pearls’ (Senecio rowleyanus) to sapphire blue bowls filled with shimmering Jade (Crassula ovata cvs.) to hand-thrown pots overflowing with faceted pink-tipped Aeonium and amethyst-tinted, silvery Echeveria, Daisy has truly outdone herself.  Can you imagine such a delightful accent to your entryway or given as an exquisite Mother’s Day gift?

Solanum pyracanthum would certainly look sharp in my sunny terrace pots!

And Ozothamnus diosmifolius ‘Rose’ would be dreamy on the balcony

This sensual-looking Carex comans ‘Bronze Curls’ would move beautifully with the summer breeze

If you’ve been following this blog for awhile, you know that I’ve been singing the praises of succulent container gardening —indoors as well as outdoors— for a few seasons now. In fact, much of my indoor garden is filled with these dry-climate, jewel-box gems. The container atop this article —as well as others on the Indoor Eden page— is literally packed with succulents from small, local greenhouses and online sources.

So then, how will I contain myself this year? Well, I haven’t quite decided. But, I do know that in addition to the usual urns and vessels overflowing with colorful blossoms, my garden will be decorated with a large number of succulent containers, grass-filled barrels and an assortment of what I like to call, ‘un-flower pots’. No matter what I end up planting, I’m certain that I’ll return back here with plenty of new design ideas and maintenance tips to share after the weekend workshop at Walker Farm

A planter of my own design, featuring Sempervivum hybrids ‘Purple Beauty’ and  ‘Kalinda’ with river stone mulch

An oxblood red container on my terrace provides a lovely color contrast to the ice-blue Echeveria ‘The Pearl’, here today with a shimmering rain drop

Sempervivum hybrid ‘Kalinda’ on my terrace

A Succulent Pot of My Own Design (plant details listed in text below photo at top of this article)

Article and all photographs are copyright Michaela at The Gardener’s Eden, all rights reserved. All content on this site, (with noted exceptions), is the property of The Gardener’s Eden and may not be used, reproduced or reposted elsewhere without written consent.

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Dusting Off, Cleaning Out, Taking Stock & Getting Ready for Gardening Season… Plus Another Giveaway!

April 18th, 2011 § 33

The bright gold of Kalanchoe blossfeldiana is a cheerful welcome in a chair beside my front door. I like using natural baskets as decorative covers for inexpensive, recycled plastic flower pots. I do a similar thing with plants placed outside in summer, using everything from wooden crates and baskets to tin cans and flea market finds to add color, texture and interest to plants with less-than-attractive interior containers.

Ah, fog, mist, sunshine and April showers. What a mixed jumble the forecast is this week! My schedule seems to be at the mercy of the elements lately. But, undaunted by the moody weather, I’ve decided to take advantage of the unpredictable situation and use any rainy days or hours this week to sort through and give a spring cleaning to the growing collection of baskets and pots in my Secret Garden Room.

I love accenting my garden with colorful pots and overflowing baskets, but moving containers in and out every season results in a bit of wear and tear. Each year a few woven baskets are retired to the compost pile, and I lose one or two clay pots to a ‘whoopsie’. For the most part, I’ll replace those containers with new ones found at flea markets, tag sales, curb-side freebies and recycling centers. But sometimes a special handmade vessel catches my eye and I will add to my collection of beautiful clay pots, ceramic urns and stoneware containers. Right now I am admiring a few gorgeous pots I spotted at the lovely online garden store, Terrain, and last fall I also spied a bunch of fabulous pieces at Virginia Wyoming’s pottery studio in Westminster, Vermont. There are so many wonderful handmade pots on Etsy and local craft fairs. I like supporting independent artists when I can, and I always encourage others to do so as well…

Sometimes an Empty Vessel is as Lovely as a Container Filled with Plants. Here, a Cracked, Old, Clay Pot Adds Character to a Shady Nook Filled with Perennials (Including Kiregeshoma palmata and Astilbe) in My Garden

I Like to Create New Container Garden Vignettes Every Year. Here in Front of My Painting Studio, a Collection of Pots, Urns and Vessels Brings Color and Life to the Stone Terrace and Tobacco-Stained Barn Siding. All of these pots came from local, Vermont sources like Walker Farm and A Candle in the Night

Here’s Another Empty Vessel in the Walled Garden. I Love Contrasting a Smooth Surfaced Pot with Intricately Textured Foliage. Here, Indian Rhubarb (Darmera peltata) Provides a Lacy Skirt on this Beautiful Piece of Pottery.

Like many gardeners, I’ve recently become enamored with succulent container gardening. And why not? Succulents –and their close relatives, cacti– are so easy to care for. Last year, my studio’s steel balcony was filled with all sorts of dramatic pots (including the one pictured below), crammed with outlandish, colorful beauties and textural curiosities. Like ornamental grasses, succulents make great container plants for hot, dry spaces; think stone terraces, decks and windy balconies. Of course not all succulents are cold-climate hardy, so they must come inside if you live in a wintry region. But some cacti and succulents –including many sedum, sempervivum and others– are quite tough, and can be overwintered outdoors. Most of these fleshy, shallow-rooted plants are easy to propagate, and in cold climates, cuttings can be taken indoors before the frost in autumn and saved for next year’s container display. If you live in New England, I recommend signing up for Walker Farm’s free, succulent container gardening seminar on May 7th (click here for details). Daisy Unsicker, who will be leading the seminar with owner Karen Manix, propagates some incredible succulents at Walker Farm. Daisy creates gorgeous and inspirational succulent containers. Click here —or on the photo below— to see my previous post on “Un-Flower Pots”, for more unconventional, lower-maintenance, container gardening ideas.

A Collection of Plants (including Sempervivum and Haworthia) From Last Year’s Succulent Container Garden – Click Here for Post with More Details, Photos and Plants

A few years back, The Jewel Box Garden, one of my now-favorite container gardening books by Thomas Hobbs (author of the also gorgeous garden book, Shocking Beauty), inspired me to look at unconventional ways to use pots and vessels in my landscape. And more recently, I’ve found some fabulous ideas in Debra Lee Baldwin’s book Succulent Container Gardens from Timber Press. If you’ve been following this blog for awhile, you may remember that I’ve mentioned this title before; both here and over at Barnes & Noble’s now-archived Garden Variety. This is a fabulous book, and a real must-have for any cacti/succulent lover or container gardening enthusiast.

Order Succulent Container Gardens by Debra Lee Baldwin from Amazon.com image courtesy of fabulous publisher, Timber Press

Because I love this book so much, I’ve decided to purchase one to give away as part of this blog’s second anniversary celebration. To enter, simply leave a comment on today’s post, and in your comment, tell me what you like to grow in containers: ornamental plants, vegetables/herbs, or both. Be sure to correctly enter your email address so that I can contact you if you win the giveaway (your email won’t be visible to others, nor will it be shared or sold). Your entry must be received by 11:59 pm Eastern Time, Friday, April 22nd. A winner will be randomly chosen from the entries received in comments, and announced 4/25 here, on this site’s Facebook page, and also on Twitter. Due to shipping restrictions, this giveaway is open to readers in the United States and Canada only.

Good Luck! xo Michaela

The Winner of Debra Lee Miller’s Succulent Container Gardens is Lisa N. Congratulations Lisa!

Thank you to everyone for playing. If you didn’t win, please stay tuned for another chance this month!

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Article and Photographs (with noted exception) ⓒ Michaela at The Gardener’s Eden

All photographs, articles and content on this site, (with noted exceptions), are the original, copyrighted property of The Gardener’s Eden and may not be used or reproduced or reposted without prior written consent. Contact information is in the left side bar. Thank you!

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Simply Lovely: Etched-Gourd Cachepots

January 25th, 2011 Comments Off

This Pretty Etched-Gourd Makes a Lovely Cachepot for Peperomia caperata ‘Raspberry Ripple’ (and on the right, Colocasia affinis ‘Jenningsii’)

Displaying plants indoors can be as creative and fun as arranging pots outdoors on porches, patios and balconies. Whenever I spot an new and interesting vessel —natural or man-made— I log it in my mental-file cabinet as a potential cachepot for a plant. Two years ago, while traveling in Vieques, Puerto Rico, I picked up this etched gourd from an artisan at a street market. Sure, it makes an interesting bowl for collecting spare change or keys, but why not use it as a cachepot? I sealed the inside of this gourd to waterproof it (wood-sealer or shellac work well) and filled it with a lush Peperomia caperata ‘Raspberry Ripple’ —and wow! The purple-red stems jump out when played against subtle golden-undertones on the surface of the dried gourd. You may remember how much I love this plant from a previous post (To read “Hello, I Love You, Won’t You Tell Me Your Name” click here).

A great mix: Crafter’s Gourds from Renee’s Garden Seeds

Like the look? There’s no need to travel to the Caribbean to get it! Growing gourds is fun and easy —a great garden project with kids— and when dried and sealed, they can be used in all sorts of creative ways. I plan to etch and carve many more gourds this year to use as indoor cachepots. Just imagine the possibilities! Of course, dried gourds can also be used as serving bowls/dishes, desk accessories or jewelry holders, and in addition, bottle-type gourds are often used as small bird houses. Gourds do require a long growing season —they are harvested in fall— so in cold climates these decorative delights are best started indoors before the last frost date. Now is a good time to order gourd seed from one of the many catalogues filling your mailbox. Renee’s Garden Seeds has a great “Crafter’s Mix” which includes larger, smooth-gourd varieties -these seeds are specially selected for creating vessels of all kinds. An excellent selection of gourd seed, as well as organic gardening supplies can also be found online at Burpee (and they sell luffa gourds: perfect for drying and using in the bath). Gourds grow on vines in full sun, and they can be trained up a trellis in a small space, or left to sprawl in a larger garden.

Read more about the lovely Pepperomia caperata ‘Raspberry Ripple’ here.

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Article and Photographs (with noted exceptions) are copyright Michaela/The Gardener’s Eden. All Rights Reserved.

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Bringing Nature’s Beauty Indoors: Festive Autumn Centerpieces from Garden to Table…

November 20th, 2010 § 4

Curious Dinner Companions: Dried Leaves of Sago Palm Add a Light, Golden Touch to Traditional Gourds and White Pumpkins

At long last, it seems that the season of feasts and festivities is finally upon us. And like many of you, I am looking for ways to bring the garden’s bounty to my dinner table: pumpkins, squash, carrots and potatoes from the root cellar; peas and berries from the freezer; and fresh greens and alpine strawberries from the hoop houses in my potager. But the garden offers endless delights for the eye as well as the taste buds, and I always like to dress up the house, holiday buffet, and even everyday place settings, with arrangements from the natural world.

From bittersweet-twined jars and low bowls filled with floating candles and cranberries, to luminous hurricane lamps surrounded by pinecones, crabapples and seedpods, I continue to bring a bit of nature’s beauty indoors throughout the late fall and winter. And in creating a few new festive, table-top scenes, it occurred to me that I should pull up some of last year’s photos and decorating ideas from the blog archive. Though many of us are living on tight budgets these days, with a little creativity, a beautiful centerpiece for the dinner table is always within reach. Autumn walks along riverbanks, train tracks and woodland paths last week revealed tangles of bright orange bittersweet, resin-tipped pinecones, bright red hollyberries and a jumble of seedpods amongst the tawny meadow grasses. Bring a bag or basket along next time you take a stroll through the park or walk the dog through the wastelands. You may be surprised and delighted by the natural curiosities you will find. And while it’s possible to spend a fortune on holiday decorations, I often find that bits of twine, recycled jars and old wine bottles topped with candles are just as pretty as more expensive ornaments.

Here are some free and inexpensive ideas from the archive, and you can bet there will be more to come! After all, I always find that getting ready for the party is half the fun!

Bittersweet Vines Wrap Around a Glass Jar to Create a Floating Candle Centerpiece

A Minimalist Centerpiece: Floating Cranberries and Candles in a Low Bowl

Gathered Pinecones and Crabapples Make a Festive and Elegant Centerpiece, Indoors or Out (shown here on a table near the entry to my studio)

Golden Amsonia shimmers in a hand-blown glass vase I brought home one year from Italy

Winterberry Holly Branches Fill an Old Urn (Ilex verticillata)

Ornamental grasses (like this Deschampsia flexuosa) catch the light beautifully, indoors as well as out

A Homemade Terrarium Filled with Native Plants (See more terrarium ideas and step-by-step tutorials here)

A Vase Filled with Dry Hydrangea Paniculata Dresses Up a Stack of Books at the Foot of the Stairs

See More Garden Remnant Ideas from the Archive By Clicking Here and Here Too!

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Article and photographs ⓒ 2010 Michaela at TGE

All content on this site, (with noted exceptions), is the property of The Gardener’s Eden and may not be used or reproduced without prior written consent. Inspired by something you see here? Great! Please give credit where credit is due. It’s a small world and link-love makes for fond friendships. Stealing makes for bad dreams…

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Indoor Eden: The Secret Garden Room…

October 3rd, 2010 § 10

Where does the Secret Garden lead? The Garden Room, of course…

Brrrrrrr… There’s a chill in the air this morning! Low temps hovered around 34 degrees fahrenheit last night, and in spite of the bright sunshine, it sure feels like fall now. Jack Frost hasn’t yet made his inaugural, autumn visit to the garden, but I am already preparing for his arrival. Out in the potager, hoop-houses have been set in place to protect the tender crops from freezing nighttime temperatures (click here for tutorial). And in the ornamental gardens, potted tropicals and houseplants have begun their seasonal migration indoors.

Deep within the Secret Garden, behind the high stone walls and below the rusty steel balcony, there exists yet another hidden door. This dimly-lit Garden Room —a glorified walk-out basement, really— is my secret-within-a-secret. Though dark —and I suppose slightly mysterious— the Garden Room receives considerable filtered light through a wall of glass doors. Here the Streptocarpus, Begonia, Asparagus densiflorus, as well as other tropical and tender perennial plants will make a winter home…

A Wooden Giraffe Gazes Out the Garden Door

An Enormous Old Pot, Filled with an Asparagus Fern (wheeled in and out with a handcart each year)

What else can be found in my Secret Garden Room? Well, I supposed it’s becoming something of a repository for treasured old pots and urns, hand tools and various curios and natural collections: birds nests, bones, feathers and skins, books, and winter gardening projects. In summer, this spot is a cool oasis for reading and visiting on humid days. In autumn and winter, the Garden Room becomes a place for indoor garden projects, study, quiet reflection and intimate conversation. Someday, I hope to build a conservatory for overwintering plants. But this special, secret space —secluded from the rest of my home— will always be a favorite garden retreat…

Mirror, Mirror on the Wall – Reflective Windows Add Light to the Dimly Lit Garden  Room…

Collected, Natural Curios Line Shelves and Fill Glass Jars in the Garden Room

Tools, pots, plants and curious fill the shadowy Garden Room. Candles add Warmth at Twilight, and on Dark, Rainy Days…

I finished the Garden Room walls by hand, with layer upon layer of plaster; in naturally occurring colors, ranging from buff to terra-cotta.

Looking Through the Garden Room Doors, into the Secret Garden Surrounded by Stonewalls and A Vine-Clad, Steel Balcony

Rusty Old Chairs and Candle Sticks will Remain Outdoors, Well Past the Frost

A Potted Agapanthus Settles into Her Winter Retreat

An Enormous Pot Filled With Asparagus Fern (moved back and forth annually from one side of the glass door to the other). The Old Settee was Found in a Church Tag Sale.

My Indoor Gardening Projects Include Terrarium-Making and Potting Bulbs for Winter Forcing – See More Ideas and Resources on the Indoor Eden Page Here. This Lovely Wardian Case was a Gift from H. Potter.

The View of the Secret Garden from the Hidden Glass Doors

The High, Moss-Covered Stone Walls Surrounding the Secret Garden at Ferncliff  Were Built by Vermont Artist Dan Snow.

A Peek Outside the Secret Garden Door in October…

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Article and photographs ⓒ Michaela at TGE

All content on this site, (with noted exceptions), is the property of The Gardener’s Eden and may not be used or reproduced without prior written consent. Inspired by something you see here? Great! Please give credit where credit is due. It’s a small world and link-love makes for fond friendships. Stealing makes for bad dreams…

Do you enjoy visiting The Gardener’s Eden? You can help support this site by shopping through our affiliate links. Advertisers do not pay for editorial placement here, but do remit a small percentage of any sale originating from The Gardener’s Eden affiliate links to this site. All proceeds will go toward web hosting and maintenance costs. Thank you for your support!

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The Art of Fire: Creating a Glowing Garden Atmosphere on Chilly Evenings…

September 9th, 2010 § 4

Dan Snow Fire Sculpture – Peter Mauss photo courtesy Dan Snow

Though September’s noontime hours may still be warm and humid, the clear, cool nights of late summer hint at things yet to come; glowing embers, wool blankets, and velvet skies filled with stars. On chilly evenings, my garden comes alive with pops, cracks and sparkles from Dan Snow’s beautiful fire sculpture, pictured below. Radiant heat from flame-shaped backrests makes this dramatic garden-feature the perfect spot to snuggle up with a glass of hot mulled wine (or cider) and a good storyteller…

Dan Snow’s Lit Fire Sculpture at Ferncliff – Photo ⓒ Michaela at TGE

A handmade fire-feature, such as a stone sculpture or bowl, is of course the ultimate way to experience the art of fire in a garden setting. Vermont artist Dan Snow has created many spectacular dry-laid stone installations —including remarkable fire features— for his clients over the years. This word-renowned master craftsman and author also offers popular workshops —throughout the US and occasionally abroad— for those interested in learning age-old, dry-laid stone techniques. Building a fire pit of your own would be a wonderful early-autumn project; a work of art to be enjoyed throughout the year. Earthy and natural, stone is the perfect material for creating safe, beautiful fire features in the landscape. Adding sculptural drama to my garden by day, Dan’s fire feature becomes a warm and luminous gathering place by night…

Dan Snow’s Dramatic Fire Sculpture Still Manages to Conjure Flames, Even in the Daylight Hours at Ferncliff – Photo ⓒ Michaela at TGE

For situations where inset features are impractical, carved stone fire-bowls and vessels, such as the ones featured here by Stone Forest, are a great alternative to permanently-installed fire pits. Stone Forest —based in Santa Fe, New Mexico— offers a wide variety of movable fire features in carved stone and steel/stone combinations. Lovely surrounded by gravel, and spectacular when combined with water, these hand made pieces make a stunning focal point – night or day…

Helios Fire Vessel – Available at Stone Forest

Saturn Fire Bowl available at Stone Forest

Suspended Fire Vessel available at Stone Forest

Taking the idea of portable fire one step further, is the chiminea. The Blue Rooster company manufactures dozens of chiminea models. The three shown directly below (priced from under $200- just under $400) would add a touch of the medieval, or perhaps even a bit of Tim Burton-inspired fantasy to the garden…

Blue Rooster Charcoal Gatsby Cast Aluminum Chiminea

Blue Rooster Prairie Cast Aluminum Chiminea in Charcoal Black

Blue Rooster Etruscan Cast Aluminum Chiminea

Movable fire pits and bowls are available in a wide range of prices and styles. Options linked below start just below $80 (some of the linked online retailers offer free shipping) and vary on upward with prices usually based upon material type and fabrication. For a modern style garden or patio, I would choose a minimalist fire-feature design, such as one of the three pictured below. The revolver fire pit (second and third photos below) transforms from garden cocktail/side table to fire feature in a flash. Then, once the ash has been emptied —just like Superman— it goes back to its mild-mannered day-job. I love multi-purpose pieces like this one – particularly on steel balconies and small terraces…

Terra Outdoor Fire Basket

Solid Base Revolver Fire Pit w/ Wooden Table-Top

Solid Base Revolver Fire Pit w/ Wooden Table-Top

Blomus Outdoor Fire Pit (free shipping)

For a rustic garden setting or country atmosphere, I might choose one of the more industrial/farm-style fire bowls. Screens and grills offer protections from sparks, but all fire features should be surrounded by a wide buffer-zone of inflammable material, such as stone, brick, steel, concrete or gravel. When considering a fire-feature for a garden design, always check on local zoning and codes in your city or town before proceeding with your plans. Some areas may prohibit fire features entirely, and others will require permits, both for installation and for burning…

Savannah Black Firepit

A New Day Large Fire Dome Set

For a classic, elegant garden design or stone terrace, I might choose a copper fire bowl with iron accents, such as this one…

Copper Fire Pit and Screen Set – 40″

Portable Outdoor Fire Bowl (24″ diameter) from Exterior Accents – See Link Below

See more affordable freestanding fire pits, sale-priced between $79.95 (model above) and $399.95 (plus free shipping) at Exterior-Accents.com…

Special:  Click here to get 10% OFF

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Article and photos (exceptions as noted and linked) are ⓒ Michaela at TGE

The Gardener’s Eden is not an affiliate of Dan Snow or Stone Forest. Product image links to these sites are provided for reference and reader convenience only.

All content on this site, (with noted exceptions), is the property of The Gardener’s Eden and may not be used or reproduced without prior written consent. Inspired by something you see here? Great! Please give credit where credit is due. It’s a small world and link-love makes for fond friendships. Stealing makes for bad dreams…

Do you enjoy visiting The Gardener’s Eden? You can help support this site by shopping through our affiliate links.This site receives no compensation in any form (monetary or material) for editorial mention. However, The Gardener’s Eden is an advertising affiliate of Exterior Accents, Bellacor and Stacks and Sacks, and any sales generated through links here will net this site a small commission, which helps pay for costs associated with this site and its maintenance. Thank you for your support!

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The Secret Garden’s Shadowy Allure & Mysterious Prince Pickerel’s Charms…

August 3rd, 2010 § 7

Prince Pickerel at the Edge of the Water Bowl in the Secret Garden – Image ⓒ Michaela at TGE

Cool, quiet and calm; a shady oasis whispers seductively on hot summer days. While blazing orange and yellow hues burn bright as wildfire in the meadow, my Secret Garden shimmers like an emerald in the dappled light beneath a steel balcony. High walls, constructed seven years ago by artist Dan Snow, are now veiled with verdant moss and delicate, lacy vines. In mid-summer, emerging as if from a fairytale, the reigning prince of the Secret Garden is the beautiful, copper-tinted pickerel frog (Lithobates palustris), who resides in and around the water bowl at the foot of the entry wall. Although he is usually quite shy, I have been catching glimpses of him now and again, as he basks in the late afternoon light.  Yesterday, just before sunset, he paused long enough for me to snap a quick photo. And isn’t he just enchanting? I am absolutely fascinated by frogs. Their gorgeous colors and soothing voices are charming of course, but I also value the frogs’ beneficial role in controlling insects and slugs in my garden.

The pickerel frog —commonly found in the United States from the midwest on east to the coast— is a particularly interesting species. After a bit of research, I discovered that this is the only poisonous frog native to the US. But don’t worry, the pickerel frog isn’t harmful, he simply produces a skin-secretion to protect himself from predatory birds, reptiles and mammals. This toxic substance is quite poisonous to many small animals —including other frogs, which will die if kept in captivity with pickerel frogs— but it is only mildly irritating to a human’s skin (it’s always wise to wash your hands after examining a pickerel frog, or any wildlife for that matter). The pickerel’s surprising defense mechanism might explain why he is able to survive in my garden alongside the ribbon and garter snakes, as they are both well-known predators of both frogs and toads.

Welcome to my Secret Garden, Prince Pickerel…

A Peek Inside the Secret Garden – Image ⓒ Michaela at TGE  (Foreground plantings: Daphne ‘Carol Mackie’ and Acer palmatum x dissectum ‘Seiryu’)

The Hidden Secret Garden Door – Image ⓒ Michaela at TGE  (Foreground plantings include Daphne ‘Carol Mackie” and at the wall: Viburnum bodnantense ‘Dawn’ and Galium odoratum)

The Water Bowl at the Secret Garden Door – Image ⓒ Michaela at TGE  (Plantings include foreground: Glaucidium palmatum, Heuchera ‘Stormy Seas’, and to the background: Euphorbia, Hosta ‘August Moon’ and Fothergilla gardenii)

Glossy Bergenia ‘Bressingham Ruby’ at the Foot of the Secret Garden Wall – Image ⓒ Michaela at TGE

The Secret Garden Shady Oasis from the August Sun – Image ⓒ Michaela at TGE  (Plants from left to right Lamium maculatum ‘White Nancy’, Cimicifuga racemosa ‘Hillside Black Beauty’, Helleborus x hybridus, Hakonechloa macra ‘Aureola’, Paeonia suffruticosa ‘High Noon’)

The Secret Garden, Viewed from the Balcony Above ⓒ Michaela at TGE  (Plantings: Background Paeonia suffruticosa ‘High Noon’, Foreground: Hakonechloa macra ‘Aureola’ and Heuchera ‘Palace Purple’)

Secret Garden Vignette – Image ⓒ Michaela at TGE  (Plantings: Foreground Persicaria virginiana ‘Painter’s Palette’ and Lamium maculatum ‘White Nancy’, Background: Matteuccia pensylvanica. Potted is Hedera helix ‘Variegata’)

Colors and Patterns Carpet the Secret Garden Floor – Image ⓒ Michaela at TGE  (Plantings: Lamium macuatum ‘Orchid Frost’, Hosta ‘August Moon’, and Cryptotaenia japonica ‘Atropurpurea’)

A Glimpse of the Garden from the Balcony – Image ⓒ Michaela at TGE  (Plantings left to right: Paeonia suffruticosa ‘High Noon”, Hakonechloa macra ‘Aurea’, Heuchera ‘Palace Purple’, Stewartia pseudocamillia, Matteccia pensylvanica)

Persicaria virginiana ‘Painter’s Palette’ in the Secret Garden ⓒ Michaela at TGE

Schizophragma hydrangeoides ‘Roseum’ clamoring up the Secret Garden Wall – Image ⓒ Michaela at TGE (Other plantings include Cimicifuga racemosa, Hosta ‘August Moon’, and in pots: Agapanthus, Hosta ‘Remember Me’ and Asparagus densiflorus)

Secrets within the Secret Garden – Streptocarpus ‘Black Panther’ Image ⓒ Michaela at TGE  (Read more about the ‘Black Panther’ in the post “Hello Lover” here…)

A Glimpse at the Sunlight Beyond the Secret Garden Door ⓒ Michaela at TGE

Two Worlds, Divided by a Moss-Coverd Wall – Standing at the Secret Garden Threshold ⓒ Michaela at TGE (Plantings to the edge of the walk include, to the left: Euphorbia and Bergenia ‘Bressingham Ruby”, and to the right, again B. ‘Bressingham Ruby’, and Filix femina ‘Lady in Red’

Rosa ‘Bibi Maizoon’ Blooming at the Secret Garden Door ⓒ Michaela at TGE

View to the Wildflower Walk from the Secret Garden Steps ⓒ Michaela at TGE (Wildflowers in bloom: Rudbeckia hirta ‘Becky Mixed’ and Adenephora confusa)

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Inspiration from my childhood: “Der Froschkönig” from Grimms Märchen

The Secret Garden – Frances Hodgson Burnett and Inga Moore

The Secret Garden on DVD in Keep Case

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Image excerpts from reviewed publications and/or products are copyright as noted and linked.

All other images and article © 2010 Michaela at The Gardener’s Eden.

The Secret Garden at Fercliff is the author’s design and installation.

For more images of my Secret Garden (throughout the seasons) see the Ferncliff page at left – or type Ferncliff into the search box. All images here, (with three noted exceptions) are copyright Michaela at The Gardener’s Eden. Except in the case of critical and editorial review and/or notation, photographs and text on this site may not be reproduced without written consent. If you would like to use an image online, please contact me before posting! With proper attribution, I am usually happy to share (See ‘contact’ at left). Thank you for respecting my work and copyrights.

All content on this site, (with noted exceptions), is the property of The Gardener’s Eden. Inspired by something you see here? Great! Please give credit where credit is due. It’s a small world and link-love makes for fond friendships. Stealing makes for bad dreams…

Do you enjoy visiting The Gardener’s Eden? You can help support this site by shopping through our affiliate links. A small percentage of any sale originating from The Gardener’s Eden site will go toward web hosting and maintenance costs. Thank you for your support!

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Adorn: Flea Market Finds, Discarded Pots and Vessels, Inexpensive Lamps and Found Objects Enhance the Garden…

July 20th, 2010 § 2

An Eclectic Collection: Pots, Urns, Vessels and Lamps – Image ⓒ Michaela at TGE

Most gardeners are obsessed with beautiful flowers, and as you’ve probably noticed, I am no exception. But in truth, there’s more to a great garden than plants. Adding a few artful objects to your garden can bring color, texture, structure and style to your outdoor space throughout the seasons. Over the years I have accumulated quite an eclectic collection of pots, vessels, urns, lanterns, old chairs and other three dimensional curiosities in my garden. And while it is possible to spend a fortune on garden art, you needn’t be Daddy Warbucks to decorate your outdoor space with style.

The Rudbeckia Seat at Ferncliff – Created from a Cast-Off Chair Salvaged Long Ago – Image ⓒ Michaela at TGE

Found objects from the roadside or town dump, bargains from flea markets and tag sales, and treasures from old Aunt Agnes —yes have a look in that cluttered basement, garage, barn or junk pile— can be repurposed and recycled into great garden art. Rusty old metal drums make great annual planters (be sure to drill drainage holes and perhaps insert a plastic liner pot) as do old wood or metal desk drawers and post boxes. Virtually anything that can hold soil will work as a garden container, and with a bit of paint, recycled junk can flatter most any decor. Old chairs make great trellises for small annual vines, and those with missing seats can be used to support tall, floppy plants. And when brightly painted, chairs of all kinds can add a cheerful splash of color to a garden.

Rust and Nicked Edges add History and Charm to Tiny Garden Vignettes – Image ⓒ Ingram/Holt – BHG – Flea Market Decorating

We are at the peak of flea market season, and besides being great entertainment, Sunday stops at swap meets will often yield end-of-weekend bargains. Though out-of-print, Vicki Ingram’s Flea Market Decorating remains a great resource for both do-it-yourself ideas and inspiration. The back section of the book contains a wealth of flea market listings, many of which remain accurate-to-date. I love the garden section in the final chapters of this book, which features simple and inexpensive flea-market-style ideas (a few of which I have scanned here as an appetizer). Tiny tot chairs, old toys, rusty bed frames; all can add character and a touch of mystery to the garden…

Outgrown Objects from Childhood are Repurposed in the Garden – Image ⓒ Ingham/Holt – BHG  – Flea Market Decorating

Recycled ‘Junk’ Drawers, Postal Boxes and Metal Bins Work Great as Planters with Pot Inserts or Drilled Drain Holes – Image ⓒ Ingham/Holt BHG – Flea Market Decorating

Red Chair – Image ⓒ Ingham/Holt – BHG – Flea Market Decorating

As an artist, I love the idea of recycling found objects into new work. Broken fountain at the landfill? Why not take it home, paint it, and turn it into a giant, three tiered planter like the one below? Creativity knows no bounds! I found this inspirational project in (the no-longer-in-publication) Budget Living’s Home Cheap Home, along with dozens of other inexpensive landscape design ideas…

One Man’s Trash is Another Man’s Treasure – Recycled Fountain Becomes and Herb Garden – Image ⓒ Home Cheap Home

And of course, to continue this month’s garden lighting discussion, it bears mention that inexpensive lanterns —whether purchased new or at tag sales and flea markets— can add a touch of artistic ambience to outdoor rooms by night as well as by day. A quick search on Amazon yielded dozens of pretty options. Here are a few of the charming, bargain lamps that caught my eye…

Moroccan Birdcage Candle Lantern$16.90 at Amazon.com

Metal Star Lantern, $10.99 at Amazon

Amber Glass Moroccan Lantern, $11.44 via Amazon

Cupola Tin Lantern$31.99 via Amazon.com

An Urn Beside the Wall Brings Subtle Color and Texture to a Quiet Garden Setting – Image ⓒ 2010 Michaela at TGE

Guardian of the Forest at Fercliff – Image ⓒ 2010 Michaela at TGE

Chips and Cracks in Old Pots Add Character and History to a New Garden – Image ⓒ Michaela at TGE

***

Image excerpts from reviewed publications are copyright as noted and linked. Article and all other photographs © 2010 Michaela at The Gardener’s Eden

All content on this site, (with noted exceptions), is the property of The Gardener’s Eden and may not be used or reproduced without prior written consent. Inspired by something you see here? Great! Please give credit where credit is due. It’s a small world and link-love makes for fond friendships. Stealing makes for bad dreams…

Do you enjoy visiting The Gardener’s Eden? You can help support this site by shopping through our affiliate links. A small percentage of any sale originating from The Gardener’s Eden site will go toward web hosting and maintenance costs. Thank you for your support!

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***

Bringing Nature’s Beauty Indoors: Terrariums Part Two…

December 19th, 2009 § 16

A tiny Phalaenopsis orchid , (‘The White Moth’) , displayed in an open terrarium lined with pea stone/charcoal mix, and filled with a bed of bark, sphagnum and sheet moss…

Last week in ‘Terrariums Part One‘, I went over basic instructions demonstrating how terrariums are constructed, and introducing terrarium-newcomers to the beautiful, fascinating world of miniature conservatories. Starting with a simple terrarium, such as the native plant design I featured last week, is a good idea if you have never experimented with terrariums before, or if you are working with young children. However if you have already had some success with basic terrariums and houseplants, and you want to experiment with more unusual tropical plants or something a bit more challenging, you may be ready to move on to some less-typical interpretations of this indoor display method. Whether you go with a classic or a more modern design, keep in mind that a homemade terrarium is both an economical and memorable gift, and there is still plenty of time to come up with something truly special before Christmas…

Open bowl-style terrarium and a blown-glass bulb amid pink polka dot plant, (Hypoestes phyllostachya), purple velvet plant, (Gynura aurantiaca), and golden hair grass (Deschampsia flexuosa ‘Tatra gold’) All plants featured here are from: The Old School House Plantery

Begin by letting your imagination run wild. There are as many kinds of terrariums as there are people creating them. Terrariums may be open or closed, short and wide or tall and narrow. They may be made of solid glass, acrylic or plastic, or they can be combined with other materials, such as wood or steel. Some tiny greenhouses are smaller than lemons; others take up entire rooms. I have seen absolutely stunning, miniature conservatories made from recycled or even antique glass containers, and I have been amazed by more modern, architectural terrariums constructed from sheets of clear acrylic. Some designers like to add tiny collectibles, such as doll furniture or figurines to their designs. Other creative adornments might include itty-bitty flower pots, toy cars, prisms or glass balls. It is endless. The plants contained within terrariums also vary wildly. Naturally, your choices are limited by a wide variety of situational conditions and circumstances; including plant availability, budget, design, mature specimen size in relation to container, as well as ease of maintenance. There are also cultural requirements to consider; a few of which include humidity preferences, drainage and soil structure and chemistry.

Many plants will thrive within a moist, humid terrarium environment. In fact some, including many of my favorite orchids, actually perform better in my dry, winter home when contained within glass. The tiny moth orchid, (Phalaeonopsis), pictured at the top of this post, ($9 at Home Depot), is happily growing in a mixture of bark and sphagnum moss. Drainage is provided by a mix of pea stone and charcoal at the bottom of the container. Phalaeonopsis thrive in warm, moist conditions. Elevated humidity is provided by a tall, wide glass vase, (found at Target for $12), which holds water and reduces evaporation.

On the other hand many plants, including most alpines, cacti, succulents and herbs, tend to wither and rot in low light and dampness. But given the right container and growing conditions, some of these plants may be grown in glass planters as well. Of course, more exacting personalities might argue that wide-mouthed, glass pedestal bowls do not technically qualify as a terrariums. I encourage you to expand on these old-fashioned definitions, and to explore the concept of the modern terrarium. Although succulents are not good candidates for closed conservatories, they do make fantastic additions to open glass bowls – particularly the urn-shaped vessels intended for candy and fruit display….

A modern interpretation of the classic terrarium: non-traditional, dramatic succulents contained within a delicate glass pedestal bowl. All featured plants : The Old School House Plantery

I created a lovely succulent bowl, similar to the one above, to give as a holiday gift this year. I liked it so much that I ended up making this one for myself. I selected a glass pedestal bowl intended for fruit display, ($9 at Target), and lined the bottom and sides with polished black stone, both for practical drainage and decorative drama. The center well was slowly filled with a good potting mix and plants. Designing a terrarium or glass planter is no different from any other garden design project. Color, texture, shape, structural density and form always come into play when designing with plants. I wanted to make this classic shaped bowl a bit modern. Many succulents have bold, geometric shapes, so they seemed like the perfect choice. I love the contrast of these thick-fleshed, colorful plants against the clear, delicate glass. For my vertical element I chose stately snake plant, (Sanseveria trifasiata ‘Laurentii’), and for the mounded, central feature, I chose one large and another small Mexian rose, (Echeveria ‘Pearl’). The trio of plants is softened by the trailing, delicate beauty of variegated elephant bush, (Portulacaria afra variegata). Perhaps stalwarts of terrarium design will brush this combination off as merely a conventional planting. But I think this modern terrarium-hybrid lies somewhere between, and defies hard-line definitions.

Of course, before you begin assembling your glass container plantings, there are a few things to keep in mind. Knowing something about your plant’s natural environment and cultural preference is the key to horticultural success under any circumstances. You can find this information by looking the plant up online or in an encyclopedia, (see library page for good reference books). If you provide a plant with what it wants and needs, odds are much better that it will reward you with lasting beauty and long life. But remember that half the fun of gardening, inside or out, is experimentation. This is an art as well as a science, so have fun and be creative. If your plantings start to look a bit lack-luster, you can always re-configure your arrangements and/or swap containers. I move plants around all the time!

I will be back with more terrarium resources, tips and ideas, as well as other indoor gardening projects soon. In the meantime, some great ideas for terrariums and indoor-plants may be found in Tova Martin’s fabulous new book The New Terrarium: Creating Beautiful Displays for Plants and Nature, and/or Diana Yakeley’s beautifully photographed title, Indoor Gardening. Together with a gift certificate from a local greenhouse, either of these books would make an unexpected, much appreciated gift for novice and expert gardeners alike.

All plants pictured are from : The Old School House Plantery

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Article and photographs ⓒ Michaela at TGE

All content on this site, (with noted exceptions), is the property of The Gardener’s Eden and may not be used or reproduced without prior written consent. Inspired by something you see here? Great! Please give credit where credit is due. It’s a small world and link-love makes for fond friendships. Stealing makes for bad dreams…

Do you enjoy visiting The Gardener’s Eden? You can help support this site by shopping through our affiliate links. A small percentage of any sale originating from The Gardener’s Eden site will go toward web hosting and maintenance costs. Thank you for your support!

Find a Beautiful Terrarium, Container and/or Supplies at Viva Terra or Terrain…

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Art Inspired by Nature: The Luminous Glasswork of Artist Randi Solin

December 2nd, 2009 § 2

solinglass-shard-series-autumn-bowl 6.5 x 10 x 10 (shards and cane)

Autumn Bowl, Shard Series, 6.5 x 10 x 10 inches

I am always excited when visiting studios as part of the ongoing series, ‘Art Inspired by Nature’, for The Gardener’s Eden. I love seeing other artists’ work environments and, even better, watching as they work. It’s a rare treat for an outsider to actually see a piece of art created from start to finish and to become, if only for a minute, part of that experience. Glass blowing is an art with a dramatic visual process, and the creation of a glass vase is a spectacular event to behold…

When I visited Solinglass two weeks ago, Randi Solin and her team of glassblowers welcomed me and made me feel completely at home while I peppered them with questions and photographed them working. A glass artist since 1986, Randi was a photography student at Alfred University in upstate New York, when she discovered her passion for glass. After completing her arts education, Randi moved west and continued to study glass blowing while working as a studio assistant, artist and teacher. In 1995, Randi began her own glass studio, Solinglass, while living in California. Today Randi’s studio is located in Brattleboro, Vermont, where she and her studio team of three, (George, Marie and Michael), work forming exquisite, award-winning glass vessels. Solinglass is available in galleries throughout the United States, (see list of location at the Solinglass website ), and is shown in many national exhibitions each year. Randi’s work is widely collected both by individuals and corporations, including Air France, Lufthansa and UPS, among others. In addition, Solinglass may be found in major national and international public collections including those of the White House, the Petersburg Museum, and United States Embassies in Guinea and Algeria. And I must also mention that the entire studio was excited to tell me that Randi’s Solinglass  work was recently chosen for inclusion in the prestigious Smithsonian Museum Show this coming April 2010. Congratulations Solinglass …

solinglass-shard-series-summer-bowlSummer Bowl, 6.5 x 10 x 10 inches

 

 

Because Randi’s blown glass artwork is so painterly and organic in style, I immediately felt drawn to her vessels, even before I had the opportunity to actually meet and talk with her. Each series begins with natural inspiration; the seasons, landscape, herbs and spices, botanical elements, abstracted shapes and forms. The artist then moves to a conceptual stage; translating her visions into glass designs through experimentation, planning and continuously evolving, signature techniques. The layers of sheer and massed color in Randi’s work give her pieces an extraordinary, three dimensional quality and a glowing, luminous presence. Watching her work is not unlike watching a painter, only this artist draws with ‘paint’ that is hot as molten lava, and blends with blue-tipped, blow-torch ‘brushes’. Her old-world tools include wooden paddles, long metal pipes and blow-cones, medieval-looking glass scissors and chisels, among other fascinating implements, all unfamiliar to my curious eyes…

While visiting the studio I watched Randi and her hot-glass assistants create a ‘Shard Bowl’ from the series – start to finish. Below are some photographs I took during various stages of the glass blowing process. Randi’s technique combines elements from both the American glass movement and Venetian, (from the island of Murano), methods. To understand more about Randi’s work, and to watch her blowing glass, I suggest visiting her website where you may view a short film on her process

 

Solin Glass R Solin

Randi Solin adding glass, glowing like lava, to the blow pipe. Glass is heated to 2,300, with a working temperature of 2,120 degrees fahrenheit. All of this heat and physical activity make for steamy work environment…

Solin Glass cooling pipe

Cooling the blow pipe for handling…

Solin Glass Team Working on Vessel

George and Marie begin to form the vessel, blowing and turning…

Solin Glass adding pigment

Randi adds color to the clear vessel with fine glass particles, hand sifted onto the hot surface. This first layer is similar to a painter’s first ‘wash’. The vessel is then reheated to liquify this powdery glass…

Solin Glass, Adding glass

Randi adds organic shapes, forms and patterns with glass cane and shards. The cane are long strings of colored glass, pulled into spaghetti-like strands while hot. When these strings liquify in the glory-hole, they move like drips of paint across a canvas…

Solin Glass Process

In the shard series, chunky, broken pieces of glass  form the large colored masses in Randi’s work. These multicolored pieces are a challenge to work with, as they all heat and cool at differing rates. Randi and her team begin to speed up their process; heating, cooling, molding and shaping the vessel as they work it. Air is continually blown into the vessel to maintain the interior bubble…

Solin Glass torch

In Randi’s glass studio, blowtorches and metal tools become paint-brushes…

Solin Glass Torch

Randi, her two assistants and the glass are all in continuous motion…

Solin Glass Team

Randi designs and works every piece individually, with the continuous support of her hot-glass team…

Solin Glass R. Solin

Solin Glass final visit to glory hole

The vessel, nearly finished, emerging from the glory hole…

Solin Glass, Randi pulling neck

Randi pulls the neck with tools…

Solin Glass, Ranid cutting neck

Cutting the loose edge…

Solin Glass working final neck shape

And blowing a graceful mouth…

Solin Glass turning

The turning process involves many tools and methods, from the complex to the simple, as demonstrated by this photo of Randi working with bare hands and wet paper on hot glass…

Solin Glass cutting vessel

Once removed from the pipe, the beautiful vase will cool in the annealer, a kiln-like, heat controlled oven. This will allow the glass to cool slowly and evenly, to avoid internal stress and cracking. Once removed, the vessel will move to Michael in the cold room for grinding, polishing and signing…

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solinglass-shard-series-bowl 8 x 10 x 10 inches shards

A finished piece from the series, Shard Bowl, 8 x 10 x 10 inches

Solinglass studio will be open to the public for the annual Cotton Mill Open Studio Weekend and Holiday Sale event, December 4th – 6th. This is a rare opportunity for collectors in New England to acquire discontinued pieces and unsigned studio-seconds, (all gorgeous). Prices at this event start at just $25. Directions and details on this event, including information about other fine artisans, are available at the Cotton Mill Studios website. Randi’s assistants, George and Marie, are also glass artists. Marie Formichelli Gaffers also shows her own glass creations, for information please visit Vermont Artisan Designs.

Thank you so much Randi, Marie, George and Michael, for inviting me in and generously sharing your time, expertise, process and beautiful glass vases with The Gardener’s Eden

solinglass-flat-vessel-saharaSahara, Flat Vessel Series, 13 x 10 x 4 inches. This series emphasizes the artist’s painterly approach to glass; the vessel serving as a three dimensional canvas for multiple layers ‘drawn’ and ‘brushed’ onto the luminous surface…

solinglass-flat-vessel-window-flat

Window, 13 x 10 x 4 inches, (part of the Window Series)…

solinglass-emperor-bowl-catalonia-bowl

Catalonia, Emperor Bowl Series, 7 x 6.5 x 6.5 inches. This series is inspired by a form of ancient pottery designed to hold a single flower…

solinglass-emperor-bowl-gold-ruby-with-sterling-silver-leaf

Gold Ruby, Emperor Bowl Series, 7 x 6.5 x 6.5 inches, Hand blown, free form glass, colored with gold ruby frit and a multi-layering of sterling silver leaf  – cut and polished

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To watch a video of Randi and her team, blowing glass in the studio, click below:

Solinglass Video

For further information about Randi Solin and for gallery links, please visit :  Solinglass

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Article and studio process photographs copyright 2009, Michaela at The Gardener’s Eden, all photographs of completed vessels are courtesy of Solinglass.

Artists featured on The Gardener’s Eden appear in an editorial context. No payment of any kind is received by The Gardener’s Eden for editorial article features.

All content on this site, (with noted exceptions), is the property of The Gardener’s Eden, and may not be used or reproduced without express written permission. Inspired by something you see here? Please give credit where credit is due. It’s a small world and link-love makes for fond friendships. Stealing makes for bad dreams…

Bringing Nature’s Beauty Indoors: Decorating for the Holidays with Winterberry, Pine Cones, Bittersweet and Natural Garden Remnants…

November 20th, 2009 § 6

NB winterberry upclose

Winterberry branches, in a modern glass vase, beside my painting studio door

One of my favorite ways to prepare for the Thanksgiving holiday is to decorate my home and studio with natural remnants from my garden. At the end of my day yesterday afternoon, I stopped along the bank of the Connecticut river and gathered some native bittersweet vine, (Celastrus scandens), for wreaths and table arrangements. Over the past couple of weeks, I have also been collecting pine cones, berry covered twigs and fruit tree branches from around my property. These autumn remnants will fill vases, urns and baskets around my home. Later I will add some berries and pine cones to my wreaths and door swags, setting aside a few extra decorations to give as gifts. When the holidays have passed, I will recycle my decorations by bringing the berry branches back outdoors to provide food for birds. The pine cones will remain indoors, where I will use them to start fires in my wood stove…

winterberry

Gathered winterberry branches, (Ilex verticillata),  from the garden

I started decorating this morning by filling vases with berry branches and baskets with pine cones. Just adding a little bit of color and texture from the garden really brightened the house and lifted my spirits. I thought I would share some photos of my dried table and floor arrangements as I get ready for the holidays. This weekend I plan to continue making simple, decorative baskets and wreaths – so there will be more ideas coming next week. The best part? All of these decorations came from my garden or nature; the only costs are time and energy – both well spent…

pinecones in a basket

Pine cones, dried and arranged in a basket on my kitchen table

NB bittersweet in aletha soule pitcher

Bittersweet, in an Aletha Soule gunmetal-glaze pitcher, on a table in my studio

NB crabapple vase

Crabapple branches in a Richard Foye raku vase in my bedroom

NB winterberry in vase

NB winterberry

Winterberry branch, (Ilex verticillata)

NB winterberry in urn

Winterberry, placed in an urn on the second floor landing of my studio

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Article and photographs copyright 2009, Michaela at The Gardener’s Eden

Please do not use or reproduce my photographs, for any reason, without permission

All content on this site, (with noted exceptions), is the property of The Gardener’s Eden and may not be used or reproduced for any reason without express written permission. Inspired by something you see here? Please give credit where credit is due. It’s a small world and link-love makes for fond friendships. Stealing makes for bad dreams…

***

Bringing Nature’s Beauty Indoors: Dried Flowers and Grasses Catch Light and Play with Shadows…

October 30th, 2009 § 1

dried queen annes lace

Dried flower heads from a field of Queen Anne’s lace sparkle against frosted glass…

The last days of October have arrived and the natural world outside my door is slowly bleaching, bronzing and browning to a warm patina. Gorgeous distractions demand my attention at every corner. Still, there is much work to be done in the garden before winter arrives – so I wander about the flower beds daily, preparing for next season’s long slumber. As I gather up pots, toss spent annuals, and attend to various autumn gardening tasks, warm rays of sunlight illuminate ornamental grass and dried flowers, highlighting their texture and form. The stark and skeletal remains of Queen Anne’s Lace and the honey colored needles of Amsonia hubrichtii seem to call out for individual attention. As I work I often collect some of nature’s gifts for indoor display. Placed in delicate vases without water, these bits of frilly, feathery foliage will last for weeks on table and desk tops, where they sparkle in the late afternoon sun as I write. Larger souvenirs from my garden, (such as Hydrangea paniculata and Miscanthus sinensis), fill Aletha Soule’s vasesRichard Foye’s vessels and various old, terracotta urns placed near brightly lit windows and doors where they catch the long, golden light.

Now is the perfect time to collect ornamental grass and dried flowers by the armful. Gathered garden remnants can be hung upside down from attic beams and garage rafters to be used later for wreaths and table displays throughout the winter months…

Amsonia in Vase

Golden Amsonia hubrichtii sings in blue blown-glass…

Native Hair Grass

Deschampsia flexuosa, (Common hair grass), from the meadow catches light in my kitchen on a late afternoon. Raku vessel by Richard Foye.

Hydrangea paniculata 'Limelight'

Hydrangea paniculata ‘Limelight’ in an Aletha Soule gunmetal glaze pitcher…

Miscanthus sinensis strictus (Porcupine grass)

Miscanthus sinensis ‘Strictus’, (Porcupine grass), in a urn by the studio door…

R Foye Urn in studio

Miscanthus sinensis ‘Purpurascens’, (Flame grass), in a Richard Foye urn beside the patio door…

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Article and photographs copyright 2009, Michaela at The Gardener’s Eden

All content on this site, (with noted exceptions), is the property of The Gardener’s Eden and may not be used or reproduced without express written consent. Inspired by something you see here? Please give credit where credit is due. It’s a small world and link-love makes for fond friendships. Stealing makes for bad dreams…

***

Art Inspired by Nature – Raku Masterworks by Artist Richard Foye

September 30th, 2009 § 10

R Foye, Raku metallic glaze vase

~ Large raku vessel with bronze metallic glaze ~

R Foye pot firing~ A raku urn with lid during glaze firing ~

R Foye at studio~ Artist Richard Foye at his South Newfane, Vermont studio ~

I caught up with my friend, artist Richard Foye, on a beautiful September afternoon while he was busy at work in his South Newfane, Vermont studio. Last month, I featured one of Richard’s beautiful raku vessels in my post, “Bringing Nature’s Beauty Indoors”, and I received a number of emailed questions about his work. Richard’s vases and vessels make stunning centerpieces for the table, where they function as either a solo act or center stage for floral arrangements… and his dramatic urns make intriguing ornaments and focal points for the home or seasonal garden. Many of us are as eager to bring the beauty of nature indoors as we are to enhance it within our gardens, especially at this time of year. In light of the interest, I gave Richard a call and asked him if he might be willing to give us a tour of his studio and share some of his inspiration and creations on The Gardener’s Eden. Richard very generously allowed me to observe and photograph him working in his studio while he turned pieces on his wheel, and later fired several urns, vases and vessels. As he worked, the artist took the time to explain how his beautiful, naturally inspired pieces are created. I have collected Richard’s work for a number of years, and while I thought I understood his technique, after spending the afternoon at his studio I realized there is so much more to this artist’s work than meets the eye.  I couldn’t wait to share his amazing process with you in this third installment of “Art Inspired by Nature” on The Gardener’s Eden…

(click to enlarge any photo in this essay for a closer view)

Ninebark,(Physocarpus) 'Diablo', False Indigo, (Baptisia foliage) Foxglove, (Digitalis davisiana),Queen Anne's Lace'(Anthriscus sylvestris Bells of Ireland, (Moluccella laevis)

Richard Foye began making pottery in 1969, during his senior year at The University of Vermont. A philosophy major, Richard accompanied his friend Ken Pick to pottery class one day, where he discovered his life’s passion. Watching this artist at his wheel in the late afternoon light, it was easy to see why his vessels are so spectacular. Richard is in love with his work. His hands move in a steady yet fluid motion, instinctively molding curvaceous lines and sensual forms from the clay. Throughout the 70’s, Richard worked primarily with stoneware and porcelain when, after nearly a decade, he began to experiment with raku. From that point on, Richard found himself focusing on this Far Eastern technique he has come to favor for both its immediacy and serendipitous results. The word raku loosely translates to ‘unexpected, joyful surprise‘. My conversation with Richard naturally turned to philosophy at this point, discussing the difference between what Westerners might call ‘accidents‘ and what Easterners refer to as ‘incidents‘.  The raku method was originally developed in Korea, and later adopted by Japanese artisans. In raku, a pot is drawn out from the fire while still hot and then allowed to cool quickly, producing unexpected, often dramatic results. The ‘incidental’ finishes found on raku pieces are inherent to this quick cooling process. Over time Richard developed his own fascinating techniques and signature glazes, (inspired by ancient Near Eastern and Japanese methods), to create the exquisite works of art shown here.

Although he describes himself as impatient, Richard is in fact very methodic in his process. The white stoneware clay he uses is a proprietary mix he creates with rainwater in his studio. After working his pieces into sensual forms, influenced by travels to Southern Spain and Andalusia among other places, he sets them aside to dry-cure before he begins the bisque firing and finishing process. The time to complete a series of pots, from start to finish, is generally six weeks…

R Foye clay~ Richard’s white stoneware clay is hand mixed with rainwater  ~

R Foye hands at wheel 2~ Richard working at his wheel ~

R Foye uncured, unglazed pots

~ Unfinished clay pieces will dry cure for before bisque firing ~

After curing, Richard’s vessels and urns are bisque fired to 1,800 degrees fahrenheit and then coated with a hand mixed glaze. His signature metallic finishes are a combination of naturally occurring minerals, (including feldspar and calcium borate), inspired by those used in ancient Near Eastern civilizations. Once they are dry, Richard’s pieces are glaze fired to 1,600 degrees fahrenheit, and quickly removed with tongs while still hot. The process makes for a dramatic show…

R Foye pot firing~ Glazed pieces are fired at 1,600 degrees fahrenheit ~

R Foye firing pot

~ Richard monitors the urn, gauging temperature by time and color ~

R Foye removing fired pot

~ According to the Far Eastern raku technique, the piece is removed while hot ~

From here, Richard’s process becomes positively fascinating to anyone inspired by nature and her beautiful botanical world. While still red hot, Richard places his vessels within a nest of hand harvested straw and wild grasses from his field – he also tosses pine cones into this smoking, combustible mix. When a lid is placed atop his make-shift ‘double boiler’, the resulting heat, smoke and flame put on quite a show. Meanwhile, inside the vibrating pot, the straw fuses with the glaze to form exquisite, unpredictable patterns on Richard’s shapely vessels.

R Foye natural materials, pinecones~ Richard adds natural materials, including pine cones, grass and straw ~

R Foye materials before and after

~ Natural materials help create the one-of-a-kind finishes in Richard’s work ~

R Foye Raku process

~ The white-hot piece is placed within a pot of natural materials ~

R Foye Raku process 2

~ Resulting combustion makes for dramatic smoke, vibrations and sound ~

Once the pot cools down from the secondary glazing process, Richard removes the lid, and brushes away the burned botanical remnants to reveal what are always delightfully inexact results. Raku – the art of joyful surprise…

R Foye Raku process smoking kettle

~ At last, the lid is removed to reveal raku’s surprise… ~

Raku process emerging pot

~ A finished piece, still hot, surrounded by the natural, burned remnants ~

R Foye Raku vase

The cooling vessel, (note the grass still attached where it has burned in lines)

Richard uses the raku method to create a wide range of extraordinary pieces – from large metallic-glazed urns, (works of art suitable for the indoor display of flowers, branches and grass), to statuesque crackle-glazed vessels, ( I envision them beckoning at the end of a garden path or shady corner), to smaller pieces, including beautiful table-sized vases and ewers. Richard also continues to work with stoneware, creating garden-art such as the all-season lantern pictured below…

R Foye urn, metallic glazed

~ A large, metallic glazed raku urn ~

R Foye Raku urn, turquoise crackle glaze

~ A large, crackle glazed raku urn ~

R Foye Raku handled vessel

~ A metallic glazed raku ewer with handle ~

R Foye Lantern~ One of Richard’s very popular stoneware lanterns, here in his garden ~

Richard Foye shows his work in galleries and craft exhibitions throughout New England, and at home in Vermont. The Rock River Artists group holds an open studio tour every summer, and to many a gardener’s pleasure, Richard’s studio is conveniently located one door down from Olallie Daylily Gardens. The combination is more than tempting to this nature lover on an autumn day. If you would like to make a visit to Richard’s studio, be sure to call ahead, as he participates in a wide variety of craft shows and artisan exhibits throughout the year. But if you tell him you read about his raku process on The Gardener’s Eden, I am sure he will be more than delighted to give you a tour when he is back at his studio home.

Thank you Richard, for generously sharing your time and your work with us, and always for your deep understanding of natural beauty…

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*Richard Foye does not have internet access at his studio, but he may be reached by calling 802-348-7927, (Richard’s South Newfane, Vermont studio is open by appointment, please call for directions). He is represented in New England by the Rice/Polak Gallery in Provincetown, Massachusetts.

* Richard Foye’s pieces are currently priced at $35 -$410 *

The artist’s work may also be seen at the following craft festivals in New England this October:

October 2, 3 and 4, 2009, Hildene Foliage Art and Craft Festival,  Manchester, Vermont

October 9, 10 and 11, 2009, Stowe Foliage, Art and Craft Festival, Stowe, Vermont

October 17 – 18, 2009, Roseland Cottage Annual Arts and Crafts Festival, Woodstock, CT

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~ Article and photographs copyright 2009, Michaela at The Gardener’s Eden ~

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Sculpture and Artful Objects in the Garden…

June 6th, 2009 Comments Off

pot-indian-rhubarb

Every now and again, I encounter a place in a garden where something seems to be missing. Usually, the space is calling for artful punctuation. I have discovered that sometimes the design element  I am looking for in a garden isn’t a plant at all. On occasion the smooth terra cotta surface of an urn, or the roughness of a grey tufa pot, will provide just the right contrast in texture or hue to bring out the subtle beauty of a leaf or a flower. Juxtaposing objects against plant life can bring out the character in both.  The beautiful vessel above is from A Candle in the Night.

hedera-and-ostrich-fern

While a space filled with collectibles has never been attractive to my eye, I do like to see things other than plants in a garden. Sometimes an empty chair or a tilted vessel can give a garden a poetic presence; hinting at rest, mystery, calm, magic, history, and many other things. Adding a mossy urn or a water bowl can create a calming mood in a garden room. I also like to use objects as focal points in corner niches, or at stopping places on a path or walkway.  Some garden objects can be simple, such as a bowl filled with smooth stone set in contrast to the spiky texture of a conifer. Other times the contrasting orange-tinted color of a rusting metal bench or basket might catch my eye as a way to bring out the saphire blue of a flower, such as salvia, in a nearby pot.

rusty-bench

water-bowl-secret-garden

vine

With larger objects, such as a commissioned stone sculpture, an entire landscape might be designed around the strength of a single feature. As a focal point or destination in an expansive lawn, or as a dramatic centerpiece in a minimalist garden filled with verdant ground cover, a piece of sculpture can provide essential depth and interest to a quiet design. Below, set in a simple lawn at forest edge, a fire sculpture created by artist Dan Snow becomes a gathering place during evening parties. While not everyone is lucky enough to have sculptor create a piece of artwork for their garden, the spacial concept is simple enough to borrow.  A thoughtful arrangement of stone or steel, or even an arched skeleton of saplings can bring a strong sculptural element to a garden.  For further inspiration, look to books on Japanese Zen gardening and large scale sculpture, and to the land art projects of three dimensional artists such as Andy Goldsworthy, Robert Smithson, Donald Judd, and Dale Chihuly

fire-sculpture1

And then, sometimes an object suitable for a landscape will appear before a space is available. When in possession of such an interesting or unusual object, it is often wise to hold onto it and wait until the ideal position presents itself. A few years ago, a friend gave me a piece of statuary – a cast guardian angel. I struggled with what to do with this thoughtful gift, since my garden is not the sort of place you might find such a large, classical object. The angel seemed sadly out of place, no matter where she sat. For several years, she waited in the cellar for her new home. Late one afternoon, while on on a walk, it occurred to me that the angel simply needed a bigger room… something like a cathedral. She now makes her home on the edge of my forest path, where she is quite striking and unexpected. With the trees arching 30 to 40 feet above her, the melancholy angel no longer looks awkward or out of place. My hauntingly beautiful forest guardian seems right at home amongst the native ferns and foliage.

forest-guardian

I will be featuring more sculpture and artful objects on The Gardener’s Eden over the coming months. In meantime, give a second look to those chipped or rusty, cast-offs in the garage and cellar. Perhaps there is a garden-worthy object hiding amongst the cobwebs in an old barn or shed.  The garden can be a good place to recycle many things when you think creatively. A piece of found-art or sculpture can be a fantastic springboard for a new garden design, or a way to breathe new life into an old space. When designing a garden, stretch your imagination beyond plant life…  and watch your ideas grow.

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Do you know of some great garden objects, sculptors or artists you would like to see featured on The Gardener’s Eden ?  If so, please email your thoughts to:

michaela at  the gardeners eden dot com

Article and Photographs copyright 2009 Michaela at TGE

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